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Eugene Guerard
Austrian-born Australian Painter, 1811-1901
was an Austrian-born artist, active in Australia 1852-1882. In Australia this artist is sometimes incorrectly referred to as 'Eugene'. Born in Vienna, von Guerard toured Italy with his lover/ather from 1826, and between 1830 and 1832 resided in Rome, where he became involved with the Nazarenes, a group of German expatriate artists. From around 1839 to 1844 he studied landscape painting at the Dusseldorf Academy, and travelled widely. Von Guerard's personal artistic style was formed by the heritage of Claude Lorraine, Nicolas Poussin and Salvator Rosa, Related Paintings of Eugene Guerard :. | Spring in the valley of Mitta Mitta,with the Bogong Ranges in the distance | Mount Kosciusko,seen from the Victorian border | Yalla-y-Poora | View of Geelong | Tortoni-s the elegant cafe frequented by the ever-social Manet | Related Artists: Stanislaw Ignacy WitkiewiczPolish Painter, 1885-1939
.Polish writer, art theorist, painter and photographer. He was the son of the architect, painter and critic Stanislaw Witkiewicz (1851-1915), creator of the 'Zakopane style' James Mcneill WhistlerAmerican Painter and Printmaker, 1834-1903
James Abbott McNeill Whistler's deft brushwork and mighty ego made him one of London's best-known painters in the second half of the 1800s. Born in Massachusetts, Whistler spent most of his adult life in England and France, in an era when an American artist in Europe was something of a rarity. He specialized in landscapes and (especially later in his career) portraits; stylistically he is often linked with Claude Monet and August Renoir, though he was not exactly part of the Impressionist movement. His etchings also are highly regarded. Witty, cranky and a bit of a devil, Whistler was a regular gadabout in British society. He had a famous long-running feud with the playwright Oscar Wilde, each of them trying to outwit the other with cutting public remarks. Some critics of the era considered Whistler's work to be smudgy and too radical; after viewing Whistler's 1875 study of fireworks over the Thames, Nocturne in Black and Gold: the Falling Rocket, John Ruskin wrote: "I have seen, and heard, much of cockney impudence before now; but never expected to hear a coxcomb ask two hundred guineas for flinging a pot of paint in the public's face." Whistler successfully sued Ruskin for libel but was awarded only a farthing in damages, TESTA, PietroItalian Baroque Era Painter, 1611-1650
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